Conference presentations:
Performing Presence in Mixed Reality Performance – lecture demonstration/ workshop, Performing Presence, Exeter University, UK, 26-29th March 2009
Dancing Sprites and Digitised Spaces, Performance Research Seminar & Interactive Performance Series, Brunel University, UK, 25th February 2009 (recorded live broadcast for Dance-tech.Net http://dancetech.ning.com/profiles/blogs/recorded-live-broadcast-sita)
Operator as Performer – Experimental research in projection and performance - Projection in Performance symposium, Guildhall/Complicité
Barbican Theatre, London, UK, 20th February 2009
Post Me_New ID Forum, CYNETart08, Festspielhaus Hellerau, Dresden, Germany, 29-31st October 2008
Digital Interfaces in Dance Technology Environments, Panel presentation, DRHA University of Cambridge, UK, 14-17th September 2008
DUET for EYES II: Moving with the Sprites Presentation/Performance with SMARTLAB, ALT-C 2008 Association for Learning Technology - Conference,– stage@leeds, University of Leeds, UK 9th September 2008
Projecting Performance workshop for TaPRA – Scenography Working Group, Leeds University, UK, 3-5th September 2008
Dreams and Visions : Researching with Light, OISTAT Education/Theory commission, Theatre Academy, Helsinki, Finland, 5-9th June 2008
Dancing Robots and Digitised Spaces, Keynote for DigArt Symposium 2008, Aalborg University, Esjberg, Denmark, 10-11th March 2008
Popat, S.; Palmer, S. (2007) Projecting Performance: Embodied Technologies for Operator and Performer, PSi#13, New York, USA, November 2007.
Palmer, S.; Popat, S. (2007) 'Dancing in the Streets', Designing User Experience (DUX 20070, Chicago, USA, 5-7th November 2007.
Popat, S.; Palmer, S. (2007) ‘A Full Innocence’: The Paradox of Stillness in Movement; Computers in Art & Design Education Conference, Perth, Australia, September 2007.
Palmer, S.; Popat, S. (2007) Projecting Performance: OISTAT Scenofest Workshop, Prague Quadrennial, June 2007.
Popat, S.; Palmer, S. (2007) Revealing the Wizard of Oz: Interrelationships between performer-dancer, performer-operator and digital sprite; Re-Thinking Practice and Theory, CORD / SDHS Conference 2007, Paris, France, June 2007.
Palmer, S.; Popat, S. (2007) Projecting Performance, Universal Voices International Symposium, Rose Bruford College, UK, April 2007.
Popat, S.; Palmer, S. (2006) Projecting Performance HCI: Engage HCI: The 1st International Symposium on Culture, Creativity and Interaction Design, QMU, London, September 2006.
Palmer, S.; Popat, S. (2006) Dancing in the Streets: Interactive play and digital performance : (re)Actor: 1st International Conference on Digital Live Art, Queen Mary's University, London, September 2006.
Popat, S.; Palmer, S. (2006) Dancing Sprites and Digitised Spaces: A collaborative project in digital performance : 2nd International Conference for Digital Technologies & Performance Arts, University Centre, Doncaster, UK, June 2006.
Palmer, S. (2006) Dance and Interactive Scenography: Exploratory approaches to making performance with technology: Connectivity - 10th Biennial Symposium of Arts and Technology, Connecticut College, New London, CT, USA , March-April 2006.
Popat, S.; Palmer, S. (2005) Collaborative Research Between Performers and Technologists : TaPRA Inaugural Conference, University of Manchester, September 2005.
Palmer, S.(2005) Performing Technology: Explorations in Interactive Scenography : The Stage and the Visual Arts: Past, Present and Future, International Conference on Scenography, University of Amsterdam, Netherlands, May 2005.
Palmer, S. (2004) Technology versus Performance - Destroying the Cohesiveness of Making Theatre? Different Directions Symposium - Scenography and Performance, Loughborough University, July 2004.
Publications associated with this project:
Forthcoming;
Popat, S.; Palmer, S. (2009) Dancing with Sprites and Robots: New Approaches to Collaboration between Dance and Digital Technologies. In: Butterworth, J and Wildschut, L. (eds.) Contemporary Choreography: A Critical Reader, Routledge
Shedroff, N (2009) Dancing in the Streets in Experience Design 1.1 – a manifesto for the design of user experiences, Experience Design Books, pp294-5
Palmer, S.; Popat, S. (2008) Dancing in the Streets – a design case study. Interactions New York, XV(3), pp.55-59.
Popat, S.; Palmer, S. (2008) Embodied Interfaces: Dancing wih Digital Sprites, Digital Creativity 19(2), pp.1-13
Palmer, S.; Popat, S. (2006) Dancing in the Streets: The Sensuous Manifold as a Concept for Designing Experience, International Journal of Performance Arts & Digital Media 2(3), pp.297-314
Palmer, S. (2006) A Place to Play - Experimentation and Interactions Between Technology and Performance . In: White, C.A. & Oddey, A (eds.) The Potentials of Spaces : International Scenography and Performance for the 21st Century , Bristol: Intellect Books, pp.105-118.
Palmer, S. (2006) Dance and Interactive Scenography: Exploratory approaches to making performance with technology In: Friedman L. (ed), Connectivity - 10th Biennial Symposium of Arts and Technology, Connecticut College, New London, CT, USA , pp.125-136.
Popat, S.; Palmer, S. (2005) Creating Common Ground: Dialogues Between Performance and Digital Technologies, International Journal of Performance Arts and Digital Media, 1(1), pp.47-65.
Conference Website links
The CADE conference (Computers in Art & Design education)
The PQ Scenofest
CORD
Connectivity
Engage HCI